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Mandarin 2008
Oil on canvas
260 x 170cm
Collection:
Guangdong Museum of Art, Guangzhou, China

     
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Humanoid 2008
Oil on canvas
210 x 170cm

     
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Crucible 2008
Oil on canvas
210 x 170cm

     
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Totem Pair 2008
Oil on canvas
210 x 170cm
SOLD

     
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Suspended Form 2008
Oil on canvas
260 x 170cm
Collection:
US Corporation

     
Click to expand view   Red Magician 2006
Oil on canvas
210 x 170cm
SOLD
     
Click to expand view   Virgin Spring 2005
Oil on canvas
210 x 170cm
     
Click to expand view   Fusion 2006
Oil on canvas
210 x 170cm
     
Click to expand view   Ocker Labyrinth 2004
Oil on canvas
210 x 170cm
     
Click to expand view   Morphosesof Structure 2004
Oil on canvas
210 x 170cm
     
Click to expand view   Shanghai 2007
Oil on canvas
210 x 170cm
     
Click to expand view   The Oracle 2007
(part one of diptych)
Oil on canvas
210 x 170cm
     
Click to expand view   Underworld 2007
(part two of diptych)
Oil on canvas
210 x 170cm
     
Click to expand view   Purple and Blue 2005
Oil on canvas
210 x 170cm
     
Click to expand view   Organism with White Structure 2007
Oil on canvas
210 x 170cm
     
Click to expand view   Metaphysical Realm 2007
Oil on canvas
170 x 210cm
     
Click to expand view   Earth Spirit 2007
Oil on canvas
210 x 160cm
SOLD
     
Click to expand view   Impenetrable Force 2007
Oil on canvas
210 x 170cm
     
Click to expand view   Voodoo 2005
Oil on canvas
210 x 170cm
     
Click to expand view   Breaking Free 2005
Oil on canvas
210 x 170cm
SOLD
     
Click to expand view   Organic and Inorganic Embrace 2007
Oil on canvas
210 x 170cm
     
Click to expand view   Verticals in Red Space 2004
Oil on canvas
210 x 170cm
     
Click to expand view   Majestic 2007
Oil on canvas
210 x 160cm
Recent Articles
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anton holzner

 
born 1935 Austria
  1955 arrived in Australia
Lives and works in Tasmaina
 
studies and travel
 
1971 - 79

Snr Lecturer of Fine Art, Tasmanian School of Art

1964 - 69

Lecturer South Australian School Art

1956 - 61 Lecturer South Australian School Art
 
solo exhibitions
 
2008

Oil Paintings by Three Australian Artists Guangdong Museum of Art Guangzhou, China

2007

Paintings 2004 – 2007 Long Gallery, Salamanca, Hobart

2006

Colville Street Art Gallery, Hobart, Tasmania

2004

Paintings 1999-2003, Salananca Arts Centre, Long Gallery, Hobart

1998

Retrospective Exhibition 1988-1997, Flinders University, City Gallery, Adelaide

1997

Retrospective Exhibition 1988-1997, QVMAG, Launceston

1996

Second Joan and Peter Clemenger Triennial Exhibition of Contemporary Australian Art, National Gallery Victoria

1990 Galerie Gabriel, Vienna , Austria
1988 Retrospective, TMAG, Hobart
1980 Powell Street Gallery, Melbourne
1979 Rudy Komon Gallery, Melbourne
1966 South Yarra Gallery, Melbourne
1965

Georges Invitation Art Prize, Georges Gallery, Melbourne

1964

The Helena Rubenstein Travelling Art Scholarship, Art Gallery of New South Wales

   
 

Various one man shows in Adelaide and Hobart , and invitation and group shows throughout Australia

 
collections
 
Australian National Gallery, Canberra
National Gallery of Victoria, Melbourne
Art Gallery of South Australia
Tasmanian Museum and Art Gallery , Hobart

Queen Victoria Museum and Art Gallery, Launceston

Department of Culture, Vienna
Museum Ferdinandeum, Innsbruck , Austria
Flinders University of South Australia , Adelaide

Guangdong Museum of Art, Guangzhou, China

University of Tasmania , Hobart
National Australia Bank
Artbank
Numerous corporate and private collections
 
bibliography
 
Andersch, Joerg Anton Holzner & Ian Munday The Mercury
Companion to Tasmanian History, University of Tasmania 2005
S Backhouse, Holzner Paintings 1988-1977, Launceston 1997
H Kolenberg Holzner Paintings, Hobart Art in Australia 1988
H Kolenberg Three Painters in Tasmania Art in Australia 22/4, 1985
 

Introduction

 

Hendrik Kolenberg
Senior Curator of Australian Prints, Drawings and Watercolours
Art Gallery of New South Wales

The over-riding sensation from Anton Holzner’s paintings is of space. His concern as an artist is the articulation of paint on canvas to create an imaginary reality beyond the visible and material world we occupy, so that we may reflect on our place in the universe.

He eschews the representation of what we see in order to direct our attention to metaphysics, and despite the clarity of his work, he is more interested in the suggestive power of invented form and space than formal pictorial construction. At times his paintings suggest landscape or stella matter suspended in space, or incorporate aspects of the human body. Furthermore, vigorous painterliness and his tonal use of colour suggest varying emotional states, or moods, that contribute to the work’s overall gravity.

Udo Sellbach - Artist

Over the past 50 years Anton Holzner’s work as a painter has been marked by a single-minded approach to art based on deeply personal convictions. His work seems hardly touched by the changing modes and media which have made up the international environment in art during this period. His strength in resisting the waves of fashion have made him a solitary figure in Australian Art putting him in the company of the few whose work has been concerned with inner growth and maturity along the path of time. Holzner’s abstract world is firmly based on experience in which nature and the feeling for its moods and elements play a dominant part. In the best of his paintings, tonal colour spaces appear to create the echoes of a metaphysical realm in which hardness and softness, light and darkness, stillness and movement interact in harmony.

Such a romantic stance which rings of pantheism may be regarded as out of touch with our time. But then, Holzner’s sense of time has never been confined to now.

Diane Dunbar - Curator of Fine Art Queen Victoria Museum and Art Gallery

Now in his early seventies, Holzner has sustained a level of commitment and belief in his work as a painter which, in today’s world, can seem a rare thing. It is inspiring to encounter an artist who, in spite of being, at times, a victim of the vagaries of fashion and art politics, produces work of great power and relevance to the world in which he lives. The way of life which facilitates this approach is one of discipline, borne of many years of hard work and experience of the intellectual, emotional and physical components of his art. Holzner continues to articulate his world view through his paintings with increasing confidence and strength as the years pass.

54 colville street, battery point, tasmania, australia - ph +61 3 6224 4088